This is one of the few films I've watched recently that actually made me authentically queasy and wish I could unsee it. Not because it's bad -- it's in fact very well done, but because it touches on some horrific personal experiences. The actions of the two leads fall into an awful range of flawed verisimillitude which is both hard to sympathize with and makes one feel like a total asshole ...
...s a whopper with seven patties. Here is a person eating one.
Highly trained Romanian riot police.
"Praying Mantis consumes grasshopper."
"Huge Semi Beer Truck Hangs Over ...is a person eating one. http://www.youtube.com/watch?v=kRZ4qjrqB0U Highly trained Romanian riot police. http://www.youtube.com/watch?v=TMlFP06IR7g&fmt=18 "Praying ...
... Sand, Paingiver, Tragikotatos) new personal zine is built around three separate "dialogues," which can be told apart by their typography. The computer-typed sections are an interview with Shae's "dead Romanian poet lover" Tristan Tzara, where she and "he" talk about writing, politics, religion, etc. The typewritten parts are stream-of-consciousness vignettes about Shae's past (both the real past ...
... Sand, Paingiver, Tragikotatos) new personal zine is built around three separate "dialogues," which can be told apart by their typography. The computer-typed sections are an interview with Shae's "dead Romanian poet lover" Tristan Tzara, where she and "he" talk about writing, politics, religion, etc. The typewritten parts are stream-of-consciousness vignettes about Shae's past (both the real past ...
... Sand, Paingiver, Tragikotatos) new personal zine is built around three separate "dialogues," which can be told apart by their typography. The computer-typed sections are an interview with Shae's "dead Romanian poet lover" Tristan Tzara, where she and "he" talk about writing, politics, religion, etc. The typewritten parts are stream-of-consciousness vignettes about Shae's past (both the real past ...
... Sand, Paingiver, Tragikotatos) new personal zine is built around three separate "dialogues," which can be told apart by their typography. The computer-typed sections are an interview with Shae's "dead Romanian poet lover" Tristan Tzara, where she and "he" talk about writing, politics, religion, etc. The typewritten parts are stream-of-consciousness vignettes about Shae's past (both the real past ...
... Sand, Paingiver, Tragikotatos) new personal zine is built around three separate "dialogues," which can be told apart by their typography. The computer-typed sections are an interview with Shae's "dead Romanian poet lover" Tristan Tzara, where she and "he" talk about writing, politics, religion, etc. The typewritten parts are stream-of-consciousness vignettes about Shae's past (both the real past ...
... Sand, Paingiver, Tragikotatos) new personal zine is built around three separate "dialogues," which can be told apart by their typography. The computer-typed sections are an interview with Shae's "dead Romanian poet lover" Tristan Tzara, where she and "he" talk about writing, politics, religion, etc. The typewritten parts are stream-of-consciousness vignettes about Shae's past (both the real past ...
... Sand, Paingiver, Tragikotatos) new personal zine is built around three separate "dialogues," which can be told apart by their typography. The computer-typed sections are an interview with Shae's "dead Romanian poet lover" Tristan Tzara, where she and "he" talk about writing, politics, religion, etc. The typewritten parts are stream-of-consciousness vignettes about Shae's past (both the real past ...
... Sand, Paingiver, Tragikotatos) new personal zine is built around three separate "dialogues," which can be told apart by their typography. The computer-typed sections are an interview with Shae's "dead Romanian poet lover" Tristan Tzara, where she and "he" talk about writing, politics, religion, etc. The typewritten parts are stream-of-consciousness vignettes about Shae's past (both the real past ...
